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Just as horror films are filled with characters who never seem quite enough afraid, crime films are filled with protagonists who, at the end of the movie, never seem quite enough affected by what they have seen or unleashed. Not here. Fritz Lang’s The Big Heat (1953) follows the attempts of one cop, Steve Bannion (Glenn Ford), to clean up his department and city’s corruption. He does, but at a terrible cost. Join us for an appreciation of a noir that offers a world of moral black and white and a man who refuses to pretend there are shades of grey–until he finds himself with his hands around someone’s neck.

Fans of Fritz Lang will enjoy this collection of interviews with the director.

Follow us on X and Letterboxd–and let us know what you’d like us to watch! Incredible bumper music is usually by John Deley; this week, it’s from the Inside Llewyn Davis soundtrack. Also check out Dan’s new Substack site, Pages and Frames, for an essay about this film and more writing about books and films.

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Authenticity is the factor that lets an artist connect with an audience. All the great performers have (or had) it: the Clancy Brothers make listeners feel Irish, Bob Dylan brings them along into his lifelong grudge against the world, and Pete Seeger makes them feel like they know what it’s like to be on the losing end of things, even if they are listening to “Talking Union” in an upper-East-side penthouse on $700 headphones. The title character of Inside Llewyn Davis (2013) values authenticity above everything else, but still can’t connect with an audience. What’s it like to be a folk singer who can’t bring himself down to the folk, even when he’s as talented as Llewyn? Join us for a conversation about the Coens’ look at an artist whose refusal to compromise hides his voice from listeners who would love it if they could only hear it.

The film’s published screenplay includes the complete script, song lyrics, and an interview with executive music producer T. Bone Burnett.

Follow us on X and Letterboxd–and let us know what you’d like us to watch! Incredible bumper music is usually by John Deley; this week, it’s from the Inside Llewyn Davis soundtrack. Also check out Dan’s new Substack site, Pages and Frames, for an essay about this film and more writing about books and films.

Learn more about your ad choices. Visit megaphone.fm/adchoices

A Serious Man (2009) may seem much different from the Coens’ adaptation of No Country for Old Men, which they released two years earlier. But they both concern a likable man who finds himself posing questions that the universe–or any of its weisest men–cannot answer. And even if there are glimpses of answers to the question “What does Hashem, or God, want,” neither late-thirties Larry or late-sixties Sheriff Bell can read the writing on the wall (or, in the case of A Serious Man, the writing on the teeth). The film begins with a quotation from Rumi, “Receive with simplicity everything that happens to you.” Join us for a conversation about one of the Coens’ best films and a terrific look at people to whom things happen and are forced to receive the will of a God who never tips His hand about His intentions.

There’s been a great deal written about Joel and Ethan Coen; if you want to hear them talk about their work in their own words, check out this collection of interviews.