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BEAT REVACTIONS (Hip-Hop Album Beats, Reviews+Reactions)
BEAT REVACTIONS (Hip-Hop Album Beats, Reviews+Reactions)

BEAT REVACTIONS (Hip-Hop Album Beats, Reviews+Reactions)

Hello. I have an extensive--and mostly useless--academic background in Audio Production, Music Cognition, but mostly, as a Beatmaker.</p>I have strong opinions about these beats, and most piss me, But there are exceptions, and I honor them. Listen to my ruthless critique and break downs of my first listening experience + reaction to the beats off the mostly highly-anticipated hip-hop and rap albums as they're released.</p>BEAT REVACTIONS is on <a href="https://open.spotify.com/show/2olra2GNn8CQWBtGGllqjB?si=91a13bd21b9f4553">Spotify</a> and <a href="https://podcasts.apple.com/us/podcast/beat-revactions-hip-hop-album-beats-reviews-reactions/id1655231337">Apple Podcasts</a>.</p>Social: : <a href="https://www.tiktok.com/@beatrevactions?is_from_webapp=1&sender_device=pc">TikTok</a>. Instagram</p>

Available Episodes 10

The good part is in disk 2. Beat-wise, this was a dud compared to "We Don't Trust You." But still... hip-hop production needs to step it up or step differently.

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"Like That" has produced "7 Minute Drill," and since my last review, J.Cole has apologized for "7 Minute Drill." The rap game is a shambles. "Might Delete Later" is satire at this point, but we still review the crappy beats. It's hard to look any of the beats seriously as we await the Drake response to Kendrick diss while simultaneously listening to "Still Don't You," but I do it--with absolutely no mercy.. Check it out.

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Aside from all the drama created by "Like That," this album's production is potent in various ways. There's an absolute army of hip-hop production talent that contribute to Metro's leadership, but even more, I think Metro is really finding his niche in collaborating with other producers and beatmakers. The production is far from 'dialed in.' It's measured, it's structured, creatively-intentioned, and potent. No more loops for Metro!


1. "We Don’t Trust You"

Written by: Leland Wayne, Mejdi Rhars, Nayvadius Wilburn

Produced by: Metro Boomin, Prince 85


2. "Young Metro" f/ The Weeknd

Written by: Abel Tesfaye, Leland Wayne, Nayvadius Wilburn

Produced by: Metro Boomin, DAVID x ELI, Mike Dean


3. "Ice Attack"

Written by: Leland Wayne, Nayvadius Wilburn

Produced by: Metro Boomin, OZ, Southside


4. "Type Shit" f/ Travis Scott and Playboi Carti

Written by: Jacques Webster, Jordan Carter, Leland Wayne, Nayvadius Wilburn

Produced by: Metro Boomin


5. "Claustrophobic"

Written by: Leland Wayne, Nayvadius Wilburn

Produced by: Metro Boomin, Will A Fool


6. "Like That" f/ Kendrick Lamar

Written by: Kendrick Lamar Duckworth, Leland Wayne, Nayvadius Wilburn, Rodney Oliver

Produced by: Metro Boomin


7. "Slimed In" f/ Young Thug

Written by: Jeffrey Lamar Williams, Leland Wayne, Nayvadius Wilburn

Produced by: Metro Boomin, Prince 85


8. "Magic Don Juan (Princess Diana)"

Written by: Leland Wayne, Nayvadius Wilburn, Shantae Allen

Produced by: Metro Boomin, Southside, Boi-1da, Honorable C Note, Deputy


9. "Cinderella" f/ Travis Scott

Written by: Jacques Webster, Leland Wayne, Nayvadius Wilburn

Produced by: Metro Boomin, Dre Moon, Allen Ritter


10. "Runnin Outta Time"

Written by: Jordan Holt-May, Leland Wayne, Nayvadius Wilburn

Produced by: Metro Boomin, Zaytoven


11. "Fried (She a Vibe)"

Written by: Leland Wayne, Nayvadius Wilburn

Produced by: Metro Boomin, Doughboy


12. "Ain’t No Love"

Written by: Leland Wayne, Nayvadius Wilburn

Produced by: Metro Boomin, Zaytoven, Lil88, Outta Town


13. "Everyday Hustle" f/ Rick Ross

Written by: Leland Wayne, Nayvadius Wilburn, William Leonard Roberts II

Produced by: Metro Boomin


14. "GTA"

Written by: Leland Wayne, Nayvadius Wilburn

Produced by: Metro Boomin, Southside, Wheezy


15. "Seen it All"

Written by: Leland Wayne, Nayvadius Wilburn

Produced by: Metro Boomin, Allen Ritter, Peter Lee Johnson


16. "WTFYM"

Written by: Leland Wayne, Nayvadius Wilburn

Produced by: Metro Boomin


17. "Where My Twin @"

Written by: Leland Wayne, Nayvadius Wilburn

Produced by: Metro Boomin, G Koop



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Not much to be said. This is one to be listened. Q is back, and the production was a delight--for the most part.

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PART B of my beat review/reaction (REVACTION) to the second half of YEAT's "2093 (P2)" is here! Part B has my favorite beat.

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I didn't want to like this punk, but in my first listen, I immediately became a fan of this man's very aggressive yet purposeful production style, via his latest, "2093 (& P2)," I explain why in Part A of the "2093" review. We review the beats, not the words.

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A hip-hop music production toure de force from Yeezy--reminiscent of the collaborative production efforts of B.D.T.F. Most of all, it just sounds like Kanye. This first listen reaction, review does not credit his contributors, some of which, have been a part of the Ye collective since he rented out an apartment with Donda in Newark, NJ. Other than the big names initially mentioned--Timbaland, JPEGMAFIA, James Blake, LondonOnDaTrack--here's who we later found out were involved from a production standpoint: 88-Keys, No ID, FnZ, Anthony Kilhoffer, Chrishan, DJ Camper...

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This podcast is about the beats. And these beats, are produced, entirely by The Alchemist and Hit-Boy--possibly two of my top ten hip-hop producers ever. I do not know who Corbett is, but he's a contributer. And although, we focus on beats, music production, and audio engineering on this podcast, Benny may be my favorite active rapper in the game, so there's a bias that's hard to ignore. However, with these standards come very high expectations. Find out if this album delivers on my most skeptical listen to date.

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There is a great story behind the yellow curtain used for the cover of Lyrical Lemonade's "All is Yellow." The beats mostly adhere to commercial UMG Recordings, Inc guidelines, but there are some quiet gems in terms of production. Listen to my full pod!

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Pretty crappy production with the exception of a few beats. STFU and listen to my review!

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